LOGISTICS: FACILITIES: SOURCING AND COST OF FACILITIES

Sourcing: 
Creative England help people with sourcing in Greater London. They help everyone involved in a film crew and they work with all genres of production. On the website they have a list of projects that they have worked on such as Emmerdale, Safe house and Dark river, with many more mentioned. They recommend that if you are looking for a job in TV that you should think about registering with database so that they can help you to get on TV and film sets.

The process for registering with Creative England's database is quite simple all you have to do is:
put in some of your details, like a name and email, you then have to create an account, enter a date you are able to work, mention any grades and skills that you have in film, the location at which you are, images of your work, add a CV and note any experience you have, lastly agree to the terms and conditions.

An advantage of using services like Creative England and Knowledge during pre-production of your film is that it's a lot less time consuming to go through them and find people. Services like these are also good because you can find good crew members who need experience and you don't have to spend a lot of time doing that. These are so good to consider when in pre-production because they are good websites to ind people and built your own crew.

Consequences of not using websites like these when in pre-production is that you will spend a lot of time trying to find people who are good for your crew when if you go through a service like this it's very quick and easy. This could also potentially save you money because you won't be paying a smaller company you would be working with a big company who already have a lot of money invested in them.
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Cost of Facilities
If I had a £10k budget for my whole film and had to think about; a crew, advertising, transport, facilities and equipment, hospitality, legal, research, hair, makeup and costume, locations, editing supplies and distribution, I would probably try and spread out the budget evenly with about £400 on each department and then if more is needed in one department I would give them extra money.
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Evaluation
Some of the challenges of working on a small budget is that you want to spend more on your film to have it the best quality but you know that you can't. It's also hard because you always have to be aware of that if something breaks for if something goes wrong you will need money spare to cover the damage, whether it;s broken equipment or having the deadlines gone over which then means a bigger budget. 

What might be the consequences of not allotting sufficient time to sourcing and costing during pro-production?
Some of the consequences of not having sufficient time is going over deadlines. When doing any sort of project you always need to make sure that you don't go over deadlines, especially in film because it will cost you a lot of money. Another thing you need to be aware of is that if you do not have sufficient time then you might not be able to find the right crew and your film may looked rushed or just not be the best quality it could be.
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How would inefficient and ineffective pre-production in this area affect the overall quality of the product?
It would effect the over all quality of the product because it may look rushed and you might miss something out. This could also effect the end result of the film because of the services you may go through could take longer than expected which could then make pre-production longer than expected and go over budget.
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